Dillian Whyte, Alexander Povetkin and the pressure of pay-per-view

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Dillian Whyte
Dillian Whyte returns with Box Office boxing this weekend

THERE has been something of a honeymoon period in boxing as the sport rallies against a coronavirus pandemic running riot all over the world. Old rows have been forgotten and that nagging feeling of discontentment has eased. Almost everyone working inside the sport understood that we had little choice but to take small steps before attempting to run again. But this weekend, after three Matchroom events on consecutive weekends were broadcast on Sky Sports Mix (a channel available even without a Sky Sports subscription) Eddie Hearn takes boxing back into the pay-per-view world when Dillian Whyte fights Alexander Povetkin on Sky Sports Box Office. Simply, if you want to (legally) see the biggest fight since lockdown, you will have to pay for it.

As
Hearn knows better than anyone, the moment an event has a price tag attached to
it you’re inviting potential criticism from the consumer. Whyte-Povetkin was
not deemed worthy of the Box Office treatment by critics when it was originally
announced. But now – five months after the world was plunged into a dark
inertia – one can argue it is if you compare it to the action we’ve seen since
boxing returned. Even so, it remains a tough sell in a world counting its
pennies.

Whyte and Katie Taylor (who goes in against Delfine Persoon in a rematch of their savage June 2019 slugfest) are not the first truly big names to fight this summer but they’re the first to do so in anything approaching competitive fights. The likes of Carl Frampton and Joe Joyce (both on BT Sport) have fought in recent weeks. Any faults those two exhibited against inferior opposition were forgiven – both by the public and rivals unable to capitalise. Daniel Dubois, without an opponent at the time of writing after Eric Pfeifer pulled out, will likely experience similar levels of leniency when he comes back next week. Dress rehearsals are fine in the short-term but the sport needs show-stopping events if it’s to thrive. Whyte-Povetkin is not that exactly. Some will say it would have been perfect as another free-to-air offering that would really draw a huge TV audience and in turn boost the sport’s profile. But then those saying that will not be footing the bill to stage it.

Dillian Whyte
Richard Heathcote/Getty Images

For
Whyte and Taylor, these are not dress rehearsals. The pressure will be
enormous. Not only does Whyte have to win to secure his long-awaited world
title shot, the event itself must deliver. It will be interesting to see how
Whyte in particular copes.

We’ve
seen him emerge from several crises in boxing rings, often reacting to the
cries from the crowd to haul himself out of them, but he’s yet to experience an
environment like this. And it’s that alien atmosphere that makes this a better
fight on paper – or at least harder to predict – than it would have been if
staged in a bouncing arena, as was planned, five months ago.

Whyte
has been through a lot in the last 13 months. There have been the brushes with
UKAD, the split with his trainer Mark Tibbs, the rows with sanctioning bodies
and the legal wrangles with the media who Team Whyte felt had been unfair. One
wonders if there have been too many distractions. But he’s a fighter who rarely
lets down the paying public and for that reason alone, this weekend’s contest
is one plenty will deem worth shelling out for. How it performs could govern
the immediate future of the sport.

Promoters
will know that pay-per-view is one of the few options they’ve got to be
profitable. Eddie Hearn can’t keep hosting extravaganzas in his garden that
cost a fortune. Frank Warren isn’t in a position to indefinitely bankroll a
steady stream of domestic events, either. Not only will the novelty wear thin,
but there are only so many of those fights that can be made. No one should
presume boxing is back and flying high again. The journey is just at the start.

Pay-per-view,
more so now than ever before, might be the only feasible way to ensure the best
fights get made. Money must be generated alongside them.

This
is the entertainment business. A business where so many are realising that
efforts to regain profits have to be made sooner rather than later if they’re
to survive.

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